kapedia has much more wealth of material at his disposal whereas kim longinotto has a much more finite amount of material from which to choose.
Kapedia has selected all of his pieces of film that were pre-made and did not film any of his shots, giving it an unobtrusive and real feeling. You could therefore argue that like Longinotto he is observational.

No country - Ideology
-ideas of capitalism, showing the american wild west as developed and trapping people there
-moss for example is trapped in a trailer park even though he should be achieving higher things
-american ideology is flawed
-No traditional hollywood narrative
-No main characters to align with
-The american dream does not exist/ has failed

Pulp Fiction:
Ways that Tarrantino is experimental:
-making the spectator feel they are aligning with new characters
-character illusions of power when the equilibrium suggests otherwise


Fishtank:
-Feminism in terms of ideology scenes:
* Dance scene
* Ending
Yes she can rebel against the system but if she does that then there is no where for her to go.
She has gone out of her way to escape her own life, and become a bigger person - flying the nest and going off on an adventure - this is contrapuntal to the elements.
playing with stereotypes: Billie is the most genuine person in the film

PAPER 1:
We need to talk about Kevin & Fishtank study focuses:
1.Film form
2.Meaning and response
3.Contexts
5.Narrative

6.Ideology

Captain Fantastic and No country for old men study focuses:
1.Film form
2.Meaning and response
3.Contexts
4.Spectatorship
6.Ideology

Vertigo and OFOTCn study focuses
1: Film form
2: Meaning and response
3: Contexts
4: Auteur

                   PAPER 2: 
Pans Labyrinth and COG study focuses:
1.Film form
2.Meaning and response
3.Contexts
4.Spectatorship
6.Ideology

Amy study focuses:

1.Film form
2.Meaning and response
3.Contexts
4.Spectatorship
6.Ideology


MWAMC and APDN study areas:

1.Film form
2.Meaning and response
3.Contexts
4.Spectatorship
5.x
6.Ideology


Pulp fiction study areas:

1.Film form
2.Meaning and response
3.Contexts
4.Spectatorship
6.Ideology















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