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Showing posts from May, 2019

Beginning and end scene of OFOTCN

Beginning scene: Focus points: A: Italian Neo Realism: Showing real life's injustices * Raw and authentic realness, I * Medium wide shots rather than closeups. * Unexpected and shocking deaths and ambiguous endings B: French New wave Movement - creating the authenticity of life in Post-war Europe * Natural lighting *Spontaneous plot * Casual, irreverent ( lacking proper respect or seriousness)   humor * Frank approach to sexuality * Jumpcuts * Characters talking directly to the camera C: Czech New wave Movement: * The films often shared a common sense of humour, absurdity, pathos, and sometimes startling surrealism Beginning scene: - Pattern of high notes creating an eerie atmosphere, Non-diegetic. -Panning the bedroom of the patients, including midshots of them sleeping in their beds. The spectator feels as if they are intruding on the scene and seeing the characters in their natural habbitat. Raw and authentic like Italian Neo realism. -Nurse Ratched enters c...
kapedia has much more wealth of material at his disposal whereas kim longinotto has a much more finite amount of material from which to choose. Kapedia has selected all of his pieces of film that were pre-made and did not film any of his shots, giving it an unobtrusive and real feeling. You could therefore argue that like Longinotto he is observational. No country - Ideology -ideas of capitalism, showing the american wild west as developed and trapping people there -moss for example is trapped in a trailer park even though he should be achieving higher things -american ideology is flawed -No traditional hollywood narrative -No main characters to align with -The american dream does not exist/ has failed Pulp Fiction: Ways that Tarrantino is experimental: -making the spectator feel they are aligning with new characters -character illusions of power when the equilibrium suggests otherwise Fishtank: -Feminism in terms of ideology scenes: * Dance scene * Ending Yes she ...

Nick Broomfield

-Self reflective filmmaker, so he makes the spectator aware of the film making process - self reflective filmmaker, so he makes the spectator aware of the film making process

Narrative notes

Revenge narrative Narrative enigma, never resolved ambiguous conclusion 3 separate narratives Does not completely follow Todorov's theory however it is arguable that his theory applies to the mini narratives within the film A series of mini disruptions to the 5 act structure: 1) Narrative is an important element of Tarrantino's film,  Circular narrative - no resolution The spectator -Mise en scene 2)Todorov: Equilibrium theory - Doesn't follow the equilibrium Doesn't end with an equilibrium The spectator is aware that the apparent equilibrium at the end will be disrupted again when Vincent. -Low angle when they stand up to leave the diner -Panning -Centre frame two shot -Performance: they look smug and walk slowly to give a heroic impression, however this is undermined by the dramatic irony and the spectator's knowledge of Vincent eventual death -Spectator response: A contemporary audience may be unfamiliar with this narrative than a modern audienc...