Brazilian film prior 2002

BRAZILIAN FILM PRIOR 2002
 
Cinédia was founded by Adhemar Gonzaga in 1930 and was dedicated to the production of popular dramas and burlesque musical comedies, a genre which was negatively referred to as chanchada. The chanchada would often include satires of Hollywood movies. In 1946, Gilda de Abreu's O Ébrio, a film very much representative of typical Latin melodrama, became a major hit and drew in around four million viewers.
During the 40's and 50's, films produced by the Atlântida Cinematográfica peaked and attracted large audiences by continuing with chanchadas. The films of this period have often been brushed aside as being overly commercial and americanized. Despite being overlooked by intellectual elites, these films attracted large audiences as none of the Cinema Novo films would achieve.
Films in this period benefited from state-run agencies, most notably Embrafilme. Its role was perceived as somewhat ambiguous. It was criticized for its dubious selection criteria, bureaucracy and favouritism, and was seen as a form of government control over artistic production. On the other hand, much of the work of this period was produced mainly because of its existence.

A varied and memorable filmography was produced, including Arnaldo Jabor's adaptation of Nelson Rodrigues' All Nudity Shall Be Punished (1973), Carlos Diegues' Bye Bye Brazil (1979), Hector Babenco's Pixote (1981) and Nelson Pereira do Santos' Memoirs of Prison (1984). One of the most successful films in Brazilian film history is an adaptation of Jorge Amado's Dona Flor and Her Two Husbands (1976) by Bruno Barreto.

Comments

  1. You have made some good notes here and they are interesting to read. However, what did you learn from completing this research? How has is it built upon your knowledge of Brazilian film prior to COG? What was different about the film industry? Visually is COG like many of the Brazilian films that came before it? Some rich colours? Were the storylines similar or were they different?

    Research is always good to complete and is necessary to broaden your own understanding of the film you are studying but also the wider world of film, but it must always have a focus. Your focus here should be linked to COG.

    All the best

    Mr Cooper

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